Midsummer Night’s Dream Soap

After I made my Seaside soap, I immediately thought about making a soap mimicking the night sky. I made this soap in the same way as the Seaside soap’s ocean layer.

 

Midsummer Night’s Dream’s title was inspired by William Shakespeare’s play of the same name; it is one of my favorite plays. I love teaching it.

The soap is made with cocoa and shea butters and olive, coconut, sustainable palm, sweet almond, and castor oils and a kiss of kaolin clay and real silk. The fragrance has top notes of mandarin balm, tangelo, and eucalyptus; middle notes of jungle moss, patchouli leaf, and sandal tree; and bottom notes of redwood forest, amber glow, and musk. It should be available April 16.

Challenge Soap: Avalon

I love challenges, a fact to which my poor neglected book blog can attest. I was thrilled when the Soap Making Forum started monthly challenges. I was eager to participate last month. The theme was Mardi Gras, and I even had an idea, but I didn’t get it off the ground. This month, I was determined. The chosen theme is Mythology, and I mined my favorite myths—the Matter of Britain—for my new soap Avalon. I realize King Arthur is technically more legend than myth, but I wrote what I think was a fairly convincing final exam in Medieval Literature in college about the notion that Arthurian legend was a British attempt at creating a mythology for themselves, especially later as writers like Geoffrey of Monmouth and Sir Thomas Malory wrote down the stories of Arthur.

Avalon
Avalon

Avalon was inspired by the resting place of King Arthur, the Isle of Avalon, or Isle of Apples. Back in the time when King Arthur would possibly have lived, Glastonbury Tor was surrounded by water, becoming a peninsula at low tide, and many believe it is the Isle of Avalon.

The scent I used in this soap evokes apples and roses, and it was described by Shannon of Smellicious Soaps (one of my fellow Soap Making Forum friends) as smelling like “walking through a rose garden while eating a crisp apple.” It truly is divine. The apples evoke the Isle of Apples, Avalon, while I see the roses as symbolic of the Wars of the Roses, during which Sir Thomas Malory wrote perhaps the most famous version of the Arthurian legend, Le Morte D’Arthur. Some scholars believe his treatment of the Matter of Britain was as much a comment on political events during his own times as it was a faithful recounting of the Arthur legend.

The soap is made with cocoa butter and olive, coconut, palm, sweet almond, and castor oils with a kiss of kaolin clay and silk.

 

I hope you like it! It will be available in my Etsy store toward the end of April.

Seaside: A New Artisan Soap

Seaside
Seaside

I had a lot of fun making this new soap.

The fragrance evokes tender beach floras, lightly misted with the refreshing scent of ocean air, ripe succulent summer melon, and the subtle familiar scent of suntan lotion.

The soap is loaded with tropical butters and oils, including mango and cocoa butters and olive, coconut, palm, avocado, and castor oils. There is also a kiss of silk and smooth kaolin clay.

It smells heavenly. I keep picking it up and touching and smelling it. It should be in the Etsy store in the middle of April. Let me know if you want to reserve a bar now, and I will set it aside for you.

Sun-Ripened Raspberry Pink Rose Clay Soap

I recently asked fans of my Facebook page which soap they’d like to see me make. Only my cousin Debbie expressed a preference, so her wish was my command. I made Sun-Ripened Raspberry Pink Rose Clay Soap. I think this soap will be a really nice facial soap, but it could be used on the whole body.

  • 40% olive oil
  • 25% coconut oil
  • 15% palm oil
  • 10% shea butter
  • 5% cocoa butter
  • 5% castor oil

I made the soap with aloe vera juice, pink rose clay, and silk.

 

(Videos removed; post remains for those who might like the recipe.)

Yummy Soap

RaspberryI have to admit I have a personal preference for two types of soap: lavender-scented and food-scented. I don’t go in for the perfumy soaps as much, though I do make them and enjoy them. My favorites—the ones I can’t stop smelling myself while they’re out on the curing racks—are the foodie ones.

Back when I regularly bought Bath and Body Works, my absolute favorite scent was Sun-Ripened Raspberry. I also love their Warm Vanilla Sugar for winter. In fact, I love most of Bath and Body Works’ foodie scents. I also liked their Velvet Tuberose and Japanese Cherry Blossom, which are floral scents, but for the most part, the kinds of scents I tend to like best are berry scents or vanilla scents.

The last issue of Saponifier had a great interview of Jo Lasky by Beth Byrne called “Creating a Scentsational Product Line.” Jo covers a great deal of ground in the interview, including what happens in the olfactory receptor neuron and the brain when we smell an aroma, the difference between fragrance oils and essential oils, the top ten list of best-selling scents for 2012 as voted by readers and her thoughts as to why those scents moved more products, fragrance trends, and advice for soap/candle/bath suppliers looking to put together an appealing scent line. If you are soapmaker, it’s worth the price of the magazine subscription to access this article alone.

For the first time since the inception of the annual survey of top ten best-selling fragrances, lavender was not number one in 2012—it was vanilla.

Vanilla Sugar Cane
My Vanilla Sugar Cane soap

I found this revelation interesting, particularly as vanilla products seem to be gaining more traction in recent years in stores like Bath and Body Works than some of their traditional scents. Sun-Ripened Raspberry used to be one of their most popular fragrances, if not the most popular of all, but it has been discontinued in stores and is now only available for purchase online. My personal opinion is that it was replaced with Black Raspberry Vanilla, which has a similar scent, but with the vanilla base, which also eventually went to “online exclusive” only. Bath and Body Works’ website reports the following are their most popular scents (they do not specify if this is in order, but it is probably not because the list is alphabetical):

  • Aruba Coconut
  • Bali Mango
  • Berry Flirt
  • Daisy Dreamgirl
  • Forever Red
  • Honey Sweetheart
  • Japanese Cherry Blossom
  • Moonlight Path
  • Rio Rumberry
  • Sweet Pea
  • Warm Vanilla Sugar

Of the scents on this list, my guess is that Berry Flirt is probably the closest to Sun-Ripened Raspberry because it is described as a blend of red berries and blond woods. However, I haven’t smelled it, so I can’t be sure it’s close at all. I am not surprised to see Japanese Cherry Blossom on the list, as it has been a good seller for a few years now. I am surprised that of the rest of the list, the only ones I’m familiar with at all are Sweet Pea and Warm Vanilla Sugar.

I am sure Bath and Body Works likes to change up their scent line so that they can stay fresh and competitive, but I have always thought they risk alienating customers when they do away with popular scents, which they seem to do regularly. I have certainly found that aspect of their business model frustrating. On the other hand, who is to say that my notion of what was popular was actually moving off their shelves? They may be discontinuing scents I like, but that others don’t seem to buy.

If you are trying to decide which scents to use, it is a good idea to do your own market research. Make products that appeal to you and watch to see how they move. Keep track of which scents are requested. My biggest mover is Lemongrass Sage. I was recently asked if I did a lavender scent, but at the time, I hadn’t used it. I now have two different lavender soaps—Provence and Lavender Spearmint. Take stock of those scents that people request, and watch what moves in bath and body stores like Bath and Body Works, Victoria’s Secret, and Lush, but ultimately, use your own common sense as a guide. I think a great deal of success in soapmaking depends on your own intuition about what kinds of oils to use, what kinds of fragrances, and what kinds of designs will work. I also think you tend to create more loyal customers than big bath and body stores, and they will seek out their favorite products over novelty.

I know of some soapmakers who eschew fragrances, but given the popularity of scent in soaps, I would recommend treading very carefully if you choose not to use a fragrance at all. The first thing people do when they see my soaps out on display is pick them up and smell them. I do the same thing when shopping for handmade soap. It definitely makes it tougher to move soap online—obviously customers can’t smell soaps in my Etsy store, but I think there are some smart techniques soapers can use to increase online sales. Celine Blacow’s videos seem to help her move products. I know watching a video about the making of the very soap I bought is a little bit exciting. As soon as I can make my work area presentable, it’s something I’d like to try. I just ordered some Lavender Song and Adam and Eve soap from Celine, and I can’t wait for it to arrive. I so enjoyed both of the “making of” videos, particularly Lavender Song, which I have watched several times now.

I also think that sometimes customers don’t know what they want until you make it. Steve Jobs famously said, “[F]or something this complicated, it’s really hard to design products by focus groups. A lot of times, people don’t know what they want until you show it to them.” This is true of soap, too. Customers might not think about a certain fragrance as something they’d like, but if they smell it, they like it, or if your description on your online store or video is good enough, their interest is piqued to try it.

Ultimately, I think as a soapmaker, choosing a scent I like is part of the artistry, and though I pay close attention to what my customers like, I tend to make soaps that I know I will like. However, I highly recommend reading Beth Byrne’s article, and think about designing a product line with the most popular scents.

Do You Know What’s in Your Soap?

Clean Hands
By Arlington County on Flickr

Handcrafted soapmakers have some choices about how they describe ingredients, but commercial soapmakers are bound by stricter conventions and must list the ingredients according to INCI (International Nomenclature of Cosmetic Ingredients) regulations because many of them make cosmetic claims about their soap. As a result, consumers often don’t realize what is in their soap because they do not know the chemical names for the ingredients.

The FDA does not require labeling on soap. If a soap is marketed only as soap and makes no claims about other cosmetic concerns—for example, that it moisturizes or exfoliates—then technically the maker does not need to label the ingredients in the soap. It’s a good idea, however, as so many people have allergies and would appreciate knowing what they are putting on their skin.

Before I started making soap, I was a huge fan of Yardley’s English Lavender soap, widely considered to be a good soap. It smells wonderful—best-smelling commercial lavender soap, in my opinion.

Here is a list of the ingredients in Yardley’s English Lavender soap:

  • sodium tallowate
  • water
  • sodium cocoate
  • glycerin
  • fragrance
  • lavandula angustifola (lavender) oil
  • sodium chloride
  • titanium dioxide
  • tetrasodium EDTA
  • iron oxides

Ingredients are listed in order of amount—the first ingredient listed makes up the largest percentage of the soap, and the last ingredient makes up the smallest percentage. I am not going to take the usual tactic of pointing out that the names of the chemicals are unpronounceable and therefore bad for you. Everything is chemical and has a chemical name. Butyrospermum Parkii sounds horrible, doesn’t it? It’s shea butter, which is valued for its moisturizing properties.

So what exactly are these ingredients in Yardley’s English Lavender soap?

Sodium tallowate is the name for the chemical that results when tallow (beef fat) is combined with sodium hydroxide (lye). Sodium cocoate is coconut oil and lye. Glycerin is produced when the oils and lye combine. It is a byproduct of the soapmaking process, and many commercial soapmakers take it out of their soap, which is one reason commercial soaps can be more drying than handcrafted soap, which retains all its natural glycerin.

The fragrance is probably a synthetic fragrance oil. Lavender oil is also used for fragrance, which probably explains why Yardley’s smells so good—it has real lavender essential oil in it. Sodium chloride is just salt. Titanium dioxide might sound scary, but it’s just a natural white pigment that you will find in everything from food to sunscreen. Tetrasodium EDTA is a chemical that makes hard water softer. It helps make a stronger lather and reduces soap scum. There is some debate about how harmful it may or may not be, especially to the environment rather than to our skin, but the Cosmetic Ingredient Review evaluated tetrasodium EDTA and concluded it was safe in moderate amounts. Iron oxides, like titanium dioxide, are natural colorants. They are simply a combination of iron and oxygen. Rust is one form of iron oxide, but there are many kinds.

Yardley’s English Lavender is a pretty good soap. There are not really any scary chemicals or horrible carcinogens in it. Handcrafted soapmakers use most of the ingredients in Yardley’s (with the exception of tetrasodium EDTA). As commercial soaps go, it’s one of the best you will find.

What about Ivory soap? It used to be billed as 99 and 44/100% pure. What was in it?

  • sodium tallowate
  • sodium cocoate
  • sodium palm kernelate
  • water
  • sodium chloride
  • sodium silicate
  • magnesium sulfate
  • fragrance

Sodium palm kernelate is palm kernel oil and lye. Sodium silicate is commonly known as liquid glass. It makes soap last longer and increases its detergent qualities. Magnesium sulfate is an inorganic salt. It is often encountered in the form of Epsom salt. One could argue about whether or not some of the ingredients are necessary, but Ivory was essentially pretty good soap, too. Nowadays, Ivory may also contain palm oil, palm kernel oil, and tetrasodium EDTA. It is no longer labeled as “soap.”

What about Dove?

  • sodium lauroyl isethionate (a detergent that has actually been known to irritate or dry out skin)
  • stearic acid (a fatty acid common in animal fats and some vegetable fats, such as cocoa butter and shea butter)
  • sodium tallowate or sodium palmitate (palm oil and lye)
  • lauric acid (a fatty acid)
  • sodium isethionate (a synthetic detergent)
  • water
  • sodium stearate (stearic acid and lye)
  • cocamidoproply betaine (a synthetic surfactant) or sodium C14-C16 olefin sulfonate (also a synthetic surfactant)
  • sodium cocoate or sodium palm kernelate
  • fragrance
  • sodium chloride
  • tetrasodium EDTA
  • tetrasodium etidronate (another water softener that helps prevent soap scum and helps boost later)
  • titanium dioxide

Dove is actually a less pure soap than Ivory or Yardley’s. Dove contains a lot of synthetic detergents rather than natural oils and fats. Dove is widely considered to be gentle and moisturizing, so what gives?

In fact, if you look at Dove’s packaging, you’ll notice that it’s not even labeled as soap. It’s called a beauty bar, a cream bar, a beauty cream bar, a cream beauty bathing bar, and a number of other variations on the same. They even market the product by deriding pure soap as bad for your skin: “Soap strips your skin of its natural moisture.”

As you can see, however, Yardley’s, Ivory, and Dove all contain synthetic detergents to boost the lather, and all three also contain tallow. There is nothing wrong with tallow per se, but if you are a vegetarian or vegan and avoid other animal products like leather or fur, you should also avoid commercial soaps with beef tallow, which can be difficult, as the vast majority of commercial soaps are tallow-based rather than vegetable oil-based.

Why do commercial soapmakers use tallow? It’s cheap. Vegetable oils like olive oil are more expensive. Tallow is a perfectly fine soap ingredient. It’s been used in handcrafted soap for centuries. The only drawback it really has is that it’s an animal product.

So do any commercial soapmakers make all-vegetable oil soap?

What about Burt’s Bees Baby Bee Buttermilk Soap? Surely that’s gentle and animal-fat free. It’s for babies!

  • vegetable soap base
  • fragrance
  • buttermilk powder
  • oat flour
  • titanium dioxide
  • limonene (a chemical found in citrus peels; used as fragrance and cleanser)

Which vegetable oils? We don’t know, and vegetable soap bases are made with a very wide variety of oils and fats, though we can assume here that there is no tallow or lard, as the base is vegetable. However, some vegetable soap bases contain surfactants and emulsifiers in addition to vegetable oils. I looked at ingredients lists for several vegetable soap bases on the market, and the most common oils appear to be coconut oil, palm oil, and safflower oil. You can buy olive oil bases, but my guess is that Burt’s Bees Baby Bee Buttermilk soap is made from a base of the more common vegetable oils, as they are less expensive than olive oil. Still, the ingredients in the soap are natural enough and are probably familiar to handcrafted soap makers. But you can do better than Burt’s Bees with handmade soap.

Why? What is in handmade soaps like New England Handmade Artisan Soaps?

The ingredients in my soaps vary, but the first ingredient is usually the liquid I use to mix with the lye, whether that’s water (distilled water, though I don’t usually specify that it’s distilled), coconut milk, aloe vera juice, goat milk, buttermilk, tea, or whole milk. If I use yogurt, this ingredient will not be listed first because it must be combined with water, and therefore is not the largest percentage of the soap.

I use olive oil in all of my soaps. I also use coconut oil in all of my soaps and palm oil in most of my soaps. The bulk of my soaps also contain either shea butter or cocoa butter in amounts varying from 5-20%, depending on the recipe. I also use castor oil to boost the lather in my soaps rather than synthetic surfactants and detergents. I also use moisturizing oils like avocado oil, sweet almond oil, and apricot kernel oil, which I was unable to find in the ingredients lists of commercial soaps. All of my soaps are vegetarian-friendly, but some contain milks and honey and are not, therefore, vegan-friendly. However, I have a wide variety of soaps that are vegan-friendly.

After I started using homemade soap for the first time, I could tell the difference. My skin just felt better. I had fewer problems with dryness or oiliness or acne. The tone evened out (I used to be prone to some reddish spots on my face). As a result, I can use less makeup to even out my skin tone.

Homemade soap is a little more expensive than commercial soap—that’s true. But it is affordable as luxuries go. If your skin is the largest organ on your body, and the one that protects you from the outside elements, why not treat yourself and use the good stuff?

New Soaps

I bought a new soap cutter (it’s fabulous!), and I have been having too much fun making new soaps. Lavender SpearmintLavender spearmint might be my new favorite. It smells divine (a mix of lavender essential oils and spearmint fragrance). I love lavender, but somehow, this soap smells better with the addition of spearmint. My theory is that the spearmint complements and anchors the lavender.

Lavender SpearmintLook at those swirls! I used a drop-swirl technique. I poured a layer of white soap in the mold, then held the purple high over the mold so that it would penetrate the white layer. I repeated with the other purple. Then I spooned another layer of white into the mold and repeated the process. I like this technique and used it again tonight in a soap I made.

Angel WhiteI like how this one came out. I decided to call it Angel White. I wanted to create a pure white soap, but I couldn’t resist decorating it with some pink. The fragrance I used actually temporarily turned the soap a creamy yellow color, but it turned white again. I have never had a fragrance oil do that. Sometimes fragrances discolor soaps, but it either tends to darken them over time (in the case of fragrance with vanillin), or it gives them a yellower cast that pretty much stays that way. I have never had one turn yellowish and then revert to white. It is Amazingly Grace from Nature’s Garden, if you are curious. It’s a great, light, clean scent, and I had no troubles with it.

Romeo and JulietI am calling this one Romeo and Juliet. I made it with a hanger swirl and scented it with Loving Spell by Nature’s Garden, a scent similar to Victoria’s Secret’s Lovespell. I cut it too soon because I was impatient, so I wound up streaking the soap a little.

Guinness BeerThis soap is made with Guinness Extra Stout® beer and finely ground oatmeal. I scented it with a fabulous beer fragrance. Smells like the real thing!

Cranberry Fig YuzuAnother soaper thought of this first, but this one reminds me of Katniss Everdeen, the “Girl on Fire.” I scented it with Bramble Berry’s Cranberry Fig and Yuzu fragrances. The lather is a tiny bit pink, but it turned out gorgeous. It was also my first soap made with aloe vera juice. Some soapers claim they can’t tell a difference between aloe vera juice and water, but it felt different to me. It made a nice soap. I have noticed a white flaky substance develops when I mix aloe vera juice and lye. I strain it as I pour it into the oils and butters so that it doesn’t wind up in the soap, but I’m curious as to why that happens.

Anjou Pear BlossomThis is a tiger stripe swirl. I love how it came out. I had intended to make it with coconut milk, but I didn’t realize I had run out, so I made it with buttermilk instead. The fragrance is to die for—Anjou Pear Blossom. It is one of my favorite scents of all.

I was snowed in with the great blizzard Nemo and made four batches of soap, but no pics yet. I will try to post some soon.

Soaping is Art

Over the last few months, I feel I have grown as a soapmaker. I owe a lot of this growth to the helpful people on the Soap Making Forum and more specifically, to Celine Blacow of iamhandmade.com. Celine is gracious enough to create video tutorials of her soapmaking process, and I think I have learned more techniques from her than from just about any other book or tutorial I’ve found.

Jane Austen Series
My Jane Austen series: Sweet Jane, Mrs. Darcy, Marianne’s Passion, and Emma

For me, soapmaking is art, especially the kind Celine makes. I am growing to consider myself an artist. When I initially chose to use the word “artisan” to describe my soaps, I did it more out of a feeling that soapmaking was a craft, and artisans were craftsmen. Soapmaking is a craft, but it is a thing of beauty for its own sake, too. The great thing about soap, however, is that it’s art meant to be consumed and appreciated not just for its appearance, but also for what it does for your skin and how it smells.

I start with a fragrance I want to use. When shopping for handmade soap, the first thing I do is pick it up and smell it, and I have noticed others do the same thing. In fact, I have sold soap better when customers can smell it. The kind of fragrance I plan to use often influences my choice of oils and whether I would use water or milk. For instance, when I made my Coconut Lime Verbena soap, I was influenced to use coconut milk by the name of the fragrance.

After I’ve decided on a fragrance, I carefully consider what type of oils to use in my recipe. If I am after a certain feel or a certain color, I try to balance oils that will give me the desired results and are a good balance of conditioning and cleansing and will lather up well. I have a go-to set of favorite oils and butters that includes olive oil, coconut oil, palm oil, castor oil, shea butter, cocoa butter, sweet almond oil, and avocado oil. I have never used all of these oils and butters at once, but I rarely stray outside this list when formulating my recipes. Lately, I’m finding I really enjoy using cocoa butter in my soap, and I’m becoming a fan of sweet almond oil and avocado oil, too. However, I recently tried sunflower seed oil in my Emma soap (pictured above—the yellow and cream colored soap with calendula flowers named for Emma Woodhouse in Jane Austen’s Emma). It isn’t cured yet, but I wanted to use it because the soap is such a sunny soap that it needed a sunflower oil in it. Incidentally, I’m thinking about calling that soap “Matchmaker,” but I haven’t made up my mind yet.

Finally, I think about color. I have only really seriously begun experimenting with colorants in the last month or so, and I am so pleased with most of the soaps that have resulted. I have found that working with colors adds a level of challenge to the soaping experience. I enjoy trying to think of an appropriate palette and technique. Some fragrances seem to pair well with certain colors. For instance, my Marianne’s Passion soap (pictured above behind “Emma” and named for Marianne Dashwood in Sense and Sensibility) is scented with a Black Raspberry Vanilla fragrance, and I felt tones of mauve, pink, and white would do nicely. I was happy with the resulting soap even though I wound up with some crackle (glycerin rivers), most likely because I didn’t mix my titanium dioxide well enough. I’m learning.

My most recent soap (made just this evening and currently in the freezer) is an Anjou Pear Blossom soap. I decided on coconut milk as a base, but I discovered I’m all out, so I used buttermilk instead. I’ll be curious to see how the soap comes out because I haven’t tried buttermilk before. I decided that the best color scheme might be white, green, yellow, and a yellowish-green. I used a tiger-stripe swirl I learned from Celine Blacow that basically involves pouring stripes of soap down the middle the mold in layers, one on top of the other, until the soap is used.

I used the same technique recently with a Valentine soap I made just for friends and family, colored in two shades of pink and white and scented with a fragrance dupe of Victoria’s Secret’s Bombshell. The scent is described as “succulent purple passion fruit, burgundy Tuscan grapes, sun-kissed yellow peonies, fragrant vanilla orchids, and just a hint of fresh greenery.” Smells heavenly, and the soap turned out gorgeous.

Be Mine
Be Mine: A Valentine’s Day gift soap

I usually gel my soaps, but I really wanted to make sure the titanium dioxide behaved, and I had read that if you do not gel, it seems to prevent the kind of crackle I had with Marianne’s Passion. Sure enough, I think the white does look better, although I have learned that if I do not gel, I need to be extremely patient about cutting the soap. I can usually cut as soon as twelve hours after making a gelled soap, but ungelled soap is still too soft to cut. In fact, I learned that I need to leave it in the freezer for 24 hours, then let it sit in the mold another day, and I think I could still wait at least one more day to cut after that. Possibly more.

Be MineMy lack of patience accounts for a little bit of the lighter pink streaks you may be able to see on the darker pink.

Be MineStill, I did better than with my batch of Elinor (still trying to decide if that name will stick, or if I will get more creative with it—of course, inspired by Elinor Dashwood of Sense and Sensibility).

ElinorThe blue and cream swirl turned out pretty. I used an in-the-pot swirl and poured a layer of the blue in the mold before swirling.

ElinorUnfortunately, I unmolded it and cut it too soon, so you can see the texture of the soap is a little rough. But the swirl came out nice, and I learned something important about working with ungelled soap.

My point, and I do have one after all this rambling about my recent experiments, is that as I have learned, I have grown to see making soap as an art form. Sometimes variables such as colorants, fragrances, and temperature cause the soap to turn out differently than I had planned, but in general, I find the results to be unique and interesting, and I’ve been happy with the recent experiments.

Most importantly, I’m starting to feel like my soaps are earning the “artisan” title I somewhat prematurely gave them when I started.

Mrs. Darcy

I created the next soap in my Jane Austen series, Mrs. Darcy. It is gorgeous!

Mrs. DarcyThe recipe is similar to Sweet Jane:

  • 30% olive oil
  • 25% coconut oil
  • 25% palm oil
  • 10% sweet almond oil
  • 5% cocoa butter
  • 5% castor oil

I used Nature’s Garden’s Plumeria fragrance and colored it with titanium dioxide and ultramarine violet. I used a goat milk base and added silk to the milk and lye mixture.

I had an unfortunate mishap while making the soap. My hard oils were melting in the microwave and tipped over, spilling all over the place. I mopped up the best I could, then started over with the hard oils again. By that time, the goat milk, while still under 70°, was beginning to saponify. It never turned any darker than a cream color (thank goodness), but it was thick. I mixed it with the oils anyway and discovered that some of my silk did not dissolve. Perhaps it doesn’t when you use milk? Not sure.

Mrs. DarcyThen the soap started to thicken up, and I wanted to do a hanger swirl. As you can see, it turned out just fine, but I was sweating!

Next time, I plan to do something a little different with the hanger swirl. This is pretty, but I was looking for a more striking effect.

So what did I do wrong, folks?

  1. I tried a new fragrance.
  2. I used new colorants.
  3. I tried a new technique.

You should probably not try to take on all of that newness in one batch. I have learned!

One thing I’m learning, too, is that less is often more. An in-the-pot swirl is easier than this hanger swirl, but the effect is much more striking. Next time, I will try Celine Blacow’s trick of taping two wooden skewers to the bottom of the hanger for a more striking hanger swirl.

I sculpted the tops a little more than usual, and they look pretty.

Mrs. DarcyI used an in-the-pot swirl for my next Jane Austen soap, called “Marianne’s Passion.” I had meant to make it a Lydia Bennet soap, but the more I worked with it, the more it whispered “Marianne” to me. It’s perfect for Marianne Dashwood from Sense and Sensibility. I’ll post pictures after I’ve cut it. It’s gorgeous!

I originally intended to limit my Jane Austen series to Pride and Prejudice in honor of its 200th anniversary this month, but the more I think about it, the more I want to expand the series to all of Jane Austen’s oeuvre. You knew I was a huge Jane Austen fan, right?

I would be remiss If I didn’t mention there are three new soaps in the Etsy store: Lilac Goat Milk, Sea Salt and Lotus Blossom Salt bars, and Grubby Girl (with shredded loofah!).